In class, I explored my visual language through analog drawing using brush and ink on washi paper in a shared studio environment of around 50 students. The drawings were scanned and digitally processed in Photoshop, then printed again as physical works. By selecting and connecting 50 pieces into a continuous sequence, I treated the series as a single evolving composition rather than isolated images.

Rinne - 輪廻 - means the endless cycle of death and rebirth in Buddhism.
I designed the front cover and the end cover can be connected as the visual interest and the title was named Rinne as such.